Brambleberry Sweater is DONE!

After 3 visits to The Mountain (2009, 2010, and 2011), endless hours at home, three swatches that I blocked (thank you, Brooke), the encouragement of a deadline of the October AKG meeting, and 2 viewings of the last episode of "Lost" before I, too, changed my subscription to Netflix, I can finally say that I have a finished sweater!! It is lovely, it is blocked, it fits, and I have worn it out to the North Georgia mountains where it kept me warm, warm, warm. And best of all (besides the fact that it fits!), it is the perfect orangey-red color that perfectly fits with this time of the year. The yarn is kind of red, but that red that is kind of orange, and there are flecks of yellow in the reddish yarn. So, without further ado, here is my beautiful new sweater in all of its orangey-red cabled glory:

It's almost a work of art, no?

Here's another view, same sweater, from the front, too:

I really can't believe it's done. And I made this!

And really, I must take this opportunity to apologize for the long length of time between posts, from Sept. 11 to now. One of the weekends I spent out of town at my college reunion (25 years!); another visiting an alpaca farm where yes, I did come away with more than just 'paca poo; one Saturday at the Decatur Beer Fest and the next day recovering (no more absinthe. Ever.); and one weekend spent with friends in North Georgia. All these are worthy causes and reasons, and then there's my new day job (part-time, but then my web orders have started to go through the roof which means after-work is spent filling them), so my blogging time has been compromised. Not my project, time, mind you - several pictures will make their ways to this blog very, very soon with accompanying posts. Not this time, though; this time is my long awaited "My Brambleberry Sweater is Done!" post.

So yes, this is the first sweater where I've actually followed all of the experts' advice and BLOCKED my swatch before I selected my needles. Which was an earlier post and has resulted in a class that I'll be teaching in November about gauge. It was a case of using not just the correct needle size (that didn't seem to matter), but using the correct type of needle: the plastic needle made the entire cable just totally collapse and loose its structure, but the wooden needle helped bolster up the cable and keep its "body." Really amazing, that.

And this was the first sweater pattern I've ever come across that has the even-numbered rows as the right rows (knit right to left) as opposed to odd rows being the right rows (wrong side vs. right side of a garment). That called for some interesting verbage from me when I started to knit the sleeves one late-ish night this year at The Mountain and I realized my mistake and had to rip out those eight rows and start again. I mean, it wasn't as though I didn't have notes and arrows to that end! The designer also added selvedge stitches to her pattern, so you cast on 2 extra stitches but the pattern and directions exclude those stitches when telling you what to do. And it's good to have those selvedge stitches because they're needed for the seaming. But more on seaming later.

This pattern was a fairly easy cable sweater to knit: the design remains the same (cable on the 2nd row) for the first 10 or so pattern repeats. A few rows before you begin to decrease for the armholes, you then "walk" the cable over, so that the K4 P2 rib becomes the new cable twist, and continues in this way for 3 or 4 rows until it "walks" back to the original cable pattern. This contributes greatly to the movement and attractiveness of this sweater; some would say rhythm.

Here is the detail from where the cables "walk" and then return to their original journey.
This is a slightly lighter shade than the actual yarn,
but there really are that many colors in this yarn. Amazing.

I did adjust the length of the sweater, as I am a short person and even though I knit the size M (44"), I still needed to shorten the length so that it would not resemble a small dress. This of course caused me some consternation when I began the armhole decreases, but I took copious notes about the adjustments I did to the back that proved handy when I did the front. I also finished knitting the front while listening to the audio version of Watership Down earlier this year in order to keep familiarity with this pattern and also so that I would not be making those crucial armhole-decreases-while-keeping-cable-pattern decisions with adult beverages clouding my judgment.

And as I've posted before, I'm really really really glad that I knit the sleeves at the same time. The slight aggravation of remembering which row I was on and which ball of yarn was minimal compared to the huge aggravation I would have had if I had had to remember which row increase I did when. Oh, and I did not do the cable pattern on the sleeve edges - I learned from my former teacher, Christina, that a cable sweater does not necessarily have to continue its cable pattern under the arm. So I just continued knitting the K4 P2 rib pattern as I increased the sleeves and it made a lot of difference with time, aggravation, and ease of wearing.

Then there was the knitting it together. Before I did so, and starting the day before my birthday and visit to the alpaca farm, I began to weave in the yarn ends. I HATE weaving in yarn ends. It's a pain. It's kind of meticulous, kind of mindless, but you have to pay some attention to what you're doing and it just seems never-ending. *Blech* I wanted to weave in enough so that by the time I had finished sewing up the seams, I wouldn't have that many yarn ends to weave in before I blocked it. *Blech* again. The discipline of martial arts training kicked in here, and I meticulously wove in yarn ends that weren't on the seam line. Some of them, anyway.

Which brings me to seaming. Ah, seaming. There are people who hate to sew up seams. Me, not so much. I don't mind seams - remember, I use to frame needlework and THAT can be meticulous and all-encompassing. But I made the mistake I've made in the past, where I decide what a shame it is to waste all that yarn at the shoulder join, and wouldn't it be better to just knit a portion of the sleeve seam?? Well, no, no it wouldn't. And here's why: it bulks up. No matter how careful you are, no matter how much easing you're doing to the portion closest to where you began to join the sleeve with this method, you're going to wind up with one side flat and one side with 5-10 extra stitches that you need to answer for. So the solution is to take it out and re-try it. And the same thing happens. What is that definition of insanity? I knit one portion of one sleeve during the final episode of "Lost" using this method. The entire 2 hours of the final episode of "Lost." When will I learn??

You guessed it - I put it down, picked it back up, and with that strong martial arts discipline I learned oh-so-many years ago, I started from the edge, made the center of the sleeve ribbing (in between the cables) match with the shoulder seam, for both sleeves, all while re-watching the final episode of "Lost." Inset sleeves are tricky in the best of circumstances, but inset sleeves that include cable/ribbed patterns require meticulous attention to which stitches you are seaming to which. So here is the end result:

Since the seams here are obvious, even to the non-knitter,
I had to be very, very careful with making sure they matched.
Exactly.

And here is a close-up, showing sleeve detail of which I am especially proud:

Sleeve seaming detail

Of course, that meant that I had to weave in and cut off otherwise perfectly good, long yarn ends that all meet at the shoulder join, but I'll just have to get over it.

And another thing of which I am extremely proud are the side seams. They are almost invisible and I really, really have to say I am proud of the extra time I took to make them almost as perfect as any stockinette stitch sweater (I've never seamed on reverse stockinette, a.k.a. purl, stitches before:

Side seam detail. You almost can't see it. Go me!

Then there is the neck. Someday, I may re-knit the neck. The cover picture of this sweater shows a very, very small rolled neck. Not for me. Mine was much longer; almost too long. The neck is knit after the shoulder seams are joined (giving you a vest-like sweater), and this one called for picking up and knitting with smaller needles, starting with a K1P1 rib, then decreasing, then knitting until it reaches where you want it to reach. Which on me, after 6 rounds, was about to the top of my collarbone. Yup, I have a large-ish shoulder-to-neck measurement, and therefore need more neckline than the pattern anticipated. And it's not the pattern's fault, either - it's a by-product of not knitting enough sweaters for myself and knowing how things will finish up. So what this means is, someday I may decide to undo and re-knit the neckline, using the same size needles and continuing with the pattern for at least 2 pattern repeats (2"), then starting on the formal neckline. But not now - now is just for wearing and admiring and receiving (I hope!) complements from those who see me in it. So here's the neckline in question; knitters out there, let me know your thoughts on the necessity of re-knitting this neckline at some point in time:

Longer than I anticipated, this is the rolled-neck ending to this sweater

Oh, and the other amazing thing about this sweater, and another reason I chose to knit the size that was close to my bust size instead of L (48"): it relaxed after I blocked it. I was really beginning to worry that I had knit an M and the sizing gods would punish me by having it be too tight and with too-tight cables. Now that would be embarrassing. But no, it relaxed both out and down, so the sleeves reach a little bit below my wrists, enough for me to pull my hands in when it's cold outside (like in the N. GA mountains), and the horizontal is eased so that it fits comfortably around my 44" (pattern size M) bustline.

Hurrah! It is finished! And just because it's my blog post and I want to, here is the Brambleberry sweater in all of its finished glory (again):

*SIGH*

Tea at the Dragon

Well, not actually at the Dragon, or even in the Dragon's belly . . . it was a stitching tea in our hotel room during Dragon*Con. And it was a blast!

There are no pictures - Webmaster Bill had the camera over the weekend, although if memory serves he was invited to the hotel's bar for some boozin' during our tea party, and that is a whole other blog post.

This was different: this was a true tea, featuring tea, baked goodies, and cheese and crackers. And there were all different kinds of tea: herbal, Lady Jane Grey, and even some Tazo tea that J. brought that included some chocolate tea and some energy tea. The milk had defrosted enough to provide some milk-ness to tea for guests (quite a relief!). Mini-refrigerators can sometimes cool things down a little too much, you see.

Of course, Sir Pepperidge Farm made his highly chocolatey appearance with Pirouettes and one of those great cookie sample packs. And the perfect excuse to indulge in those samples: a tea! J. also brought some delicious home-made apricot scones and some Star Wars cookies (courtesy of Fancy Baking Place whose name escapes me) that were one of the hits of the party. I mean, let's face it - Yoda cookies and Darth Vader cookies served at an event where StormTroopers and Klingons abound? They were perfect! To top it off, they were delicious.

Then there were some nice cheeses to go with just regular, ordinary, tea crackers: a local goat cheese and some especially yummy Camembert. You see, I'm a huge fan of a nice goat cheese, but having learned that Webmaster Bill is not, I only get goat cheese for myself due its strong, intense flavor that I like and he does not. I must say, though, this trio of goat cheeses that I bought recently at the Decatur Organic Farmer's Market is mild, delicious, and there were three flavors offered in the little box: regular, peach, and cranberry. Yum!! The Camembert was just the way I prefer it - a little soft, not too gooey, and definitely NOT smelly. A nice, mild taste to suit some slightly sweet sweets and hot teas.

So all guests arrived around 3:45 or so, from J. to V. to L&E (others were involved in panels or shopping, both of which abound at Dragon*Con), and we had a wonderful time talking and getting to know each others' projects be they large or small: cross stitch bookmarks, beaded shawls, or tiny birds. Or Tiny Houses. It really struck me how very crafty this group was and how creative these women were. And really, we all got involved in making teas, eating goodies, and guests getting to know one another that the stitching/crafting/knitting just did not take place. Nor did the broadcast of the Carrie Fisher panel, which just totally slipped my mind in the creative hubbub that abounded that afternoon.

The sad truth is, I'm not used to being a hostess, not really, so my primary focus had changed from the "planning this great afternoon" stage to the "organizing it once the guests arrive." The planning stage involved an idea of a bunch of D*C crafty women friends of mine taking a break on Sunday afternoon, coming by my hotel room, stitching and turning on D*C TV to watch the Carrie Fisher panel. The organizing phase started once I arrived in my room, changed clothes, pulled out all of the tea fixin's, made hot water in that tiny little one-cup-only coffee maker (we had brought the coffee press as an alternative and as a hot water holder), opened the overwrapped packages of cookies and crackers, pulled the cheeses out of the fridge to come to room temperature; in short, the planning phase just slipped my mind while the organizing phase took over! Fortunately for me, I have wonderful friends who are also wonderful guests, and they seemed to be enjoying just getting to know one another and sampling the delicious goodies.

I also have a group of hostess friends who are just the most capable women when it comes to hostessing things, from a weekend building a house to an Oscars party complete with movie-themed food to a full 9 course pasta dinner at Christmas (complete with different wines for each course), and I just kept their effortless hostessing-ness in the forefront of my mind. As a result, I had no meltdowns, few fears, and just really enjoyed myself along with my guests.

So all in all, my impromptu tea went well, and now that I've got the hang of hostessing in a hotel room, I'm thinking I just might try this again next year . . . I'm thinkin'!

Beach Sweater is Done!

Yes, yes, at long last, this beautiful sweater full of bright turquoise-y green and deep blue, colors I saw and loved and bought on an impulse, is DONE! And now I can show a picture and blog about it:

Lovely front of lovely Beach Sweater

Two of the details on this simple sweater are right there on the photo - the slight V-neck with the foldover collar (I guess in fashion circles it's called a "Bistro collar") and the slight flaring of the sleeves so that it covers things like bra straps and is not a true tank top. Which is good from my older POV.

The sleeves are easy to expand - you simply Sl1, M1, K2, Sl1 to increase at the start of the sleeve shaping, and the slipping of a stitch (Sl1) from the left-hand needle to the right-hand needle gives it that little bit of raised look. Which is an effective design technique when you are using a combination of yarns or when using a yarn that has a nub or a slight pattern to it, because it is subtle enough to attract the eye but does not overwhelm the yarn you are using. And the M1 increase happens every 4 rows, just as you're getting bored with knitting stockinette stitch.

The collar option is also quite easy - it calls for picking up and knitting as you usually do when doing a collar (after the sleeve seams are sewn, you then create a collar on those two otherwise plain pieces of knitted fabric). But again, the designer has you do the Sl1, M1, K2, Sl1 to create flaps on the front of the sweater while you make a collar that folds over the back of the sweater like a traditional collar does.

Here is the back of the Beach sweater. The roll at the top
center of the back is the collar that rolls down like a
traditional collar.

Another design change I made on this sweater was to increase the length. Partly because of my bust size and partly because I'm not young enough to want to have my belly button showing when I raise my arms up, I increased the length to 16" rather than the recommended 14 1/2". And that extra inch and a half really, really made all the difference. It also meant that I had to spend a whole lotta time with the measuring tape, measuring the back on the floor, then the top on the floor, then the top on top of the back, then the back . . . you get the picture! But the extra effort was worth it and this sweater is quite wearable.

And really, sewing the side seams was not that difficult. Just a basic mattress stitch that you can do in front of an old movie (yes, it can be a Bette Davis murder mystery - there's no counting, just sewing). I'm not one of those knitting purists who has to knit every single sweater in the round, modifying any sweater pattern that says differently. The way I look at it, sewing side seams is the easy, fun portion of the knitting - it lets you see how the sweater looks from all the knitting you've done. On the other hand, I hate knitting in yarn ends. THAT's the part where I pour myself a glass of wine and grumble my way through that onerous task. I don't know why I hate the yarn ends and ease into the side seams of knitting, but there you have it.

As I mentioned in a previous post, I had knit this sweater when I saw some Rasta yarn by Berroco (now discontinued. Of course. They were notorious for that.) in another local yarn shop. I had gone shopping with friends K&A near their hometown knit shop, and we brought the boys into shop with us. The boys got a whole new eye-opening experience, and we girls got to shop. Rasta is considered a heavy cotton, knit on size 10, and what was especially lovely about it was it was not a twisted cotton yarn with nubblies on it: it looked like the kind of cotton strips you use for a woven rug, with the nubbly bits all twisted onto it.

This first sweater I knit fairly quickly, as it required less stitches to cast on and I was lazy and went with the pattern directions. It looks great, and it's the perfect cotton sweater to wear with, say, khaki pants or even light colored jeans. The color of the nubbly bits just jumps out at you, and the background is neutral enough for just staying in the background. It's just a little short for my long-torsoed figure, but the pattern is easy enough to increase prior to the sleeve increases.

Here is the almost-completed sweater (the ends need to be woven in, and the bow on the top RH side of the collar is holding the live stitches).

Bistro shirt made of Rasta cotton yarn

Just so you can get an idea of how the Rasta yarn looked when it was in production, and why I jumped on it when I found it at a yarn shop and bought up all they had of the dye lot, here is a close-up of the yarn and its texture:

Rasta yarn in all its glory, with old-fashioned
plastic needles that made this cotton yarn
really fly, with just enough give for my hands

I really, really enjoyed knitting this sweater the second time through, and have already worn it out to friends' house. I think it will be one that is classy enough I can wear it to work. Both sweaters, really. Not that I'm a fashion plate, but it definitely has classic lines that fit with a "business casual" environment.

Ongoing Projects

First, my intricately cabled sweater made from Blackwater Abbey Yarns using the pattern Brambleberry to make a nice, pretty, long-sleeved, warm sweater. I've knitted it for the past 3 Mountain trips, and I'd like to bring a new sweater along in February. Which means I need to finish it and sew the seams together (not necessarily an easy task, as the cables will need to match up, but it will be worth the work), and I'll probably sew the seams while listening to a book on tape to keep my mind focused.

In the meantime, I just have to say . . . I am so tired of these darn sleeves! I mean really! I'm at the point in the pattern, the sleeves, which seem to be the longest part of any project. They just keep going . . . and going . . . and going. And I'm bored with the pattern, and I just have to keep knitting and remembering to decrease on every even row, and I'm so bored!

To give you an idea, here's my previous blog picture of the sleeves from earlier this year:

Brambleberry Sleeves, about half-way finished

And as I said before, I'm knitting the sleeves at the same time so that all the increases are the same, decreases are the same, possible mistakes are the same . . . and that basically the sleeves match. All well and good. And it's not exactly mindless knitting, even though I'm only cabling on R2 since I've decided not to do the cable pattern underneath my arms because really, what would be the point? I know that the pattern has this lovely cable that floats along around the arm, but there's also a lot of bulk that way and this sweater is going to be bulky enough with the yarn being what it is. Plus there's the lack of being able to see the cables when wearing the sweater, and the yarn will be rubbing as I move my arms which will make the cables less pristine.

So, with a spring of knitting and knitting, and seemingly endless more knitting, and working on two socks for a knit-along on Ravelry, I've procrastinated these sleeves till now. They're almost done - I'm on the last decrease row before I bind off. And then my wish will be fulfilled: my sleeves will be done!!

Here they are as of last night (picture taken this morning):

One more row . . . that's all they need . . .

Which I think I can accomplish tonight while I catch up on Season 6 of "Lost" (I watched most of it but not all, and I was driving back from New Orleans during the final episode) tonight. And then there will be much rejoicing!! Hurrah!

Another piece that I'm working on is a companion to my completed Wren in the Furze and the Blue Tit, both Eva Rosenstand kits. I think I started this little bird last year, and it proved to be a great piece to bring while I was relaxing in Asheville a month ago. In fact, I stitched most of the green that is the setting for the wild rose that will be the floral portion of this design.

I haven't quite figured out what kind of bird this is. There's a lot of pink on it, but then again, it may be that the designer wanted to highlight the pink of the wild rose and so invented a bird with pink in it. If anyone knows northern European birds . . .

You know what I find interesting about this design is the amount of yellowish green that the foliage calls for. I'm not a huge fan of yellowish green - I can't wear the color, it makes me look like I'm about to become violently ill.
Regardless, it adds the shading to the foliage that a lighter green just won't capture quite as well. And you can tell the amount of the yellowish green from the colors of thread that come with the design. You can also see the several shades of pink that will become the wild rose. For this piece, I chose to stitch the bird first (cuz he's so much fun and I like to complete one motif before going on to the next), then I'll do some greenery, then finally on to the rose. Kind of brings order to the chaos.

It really was nice this summer to sit in a comfy chair, talk with friends and husband, and just sit and stitch during daylight hours (I somehow didn't need my reading glasses!). We were in the shade, I won't lie about that, but there was no pressure to finish anything, and I was able to listen to the conversation and stitch something just because it was beautiful.

OK, well, have to upload some pictures of some patterns that I forgot to upload when I entered these patterns onto my website last week. *sigh* At least that gives me time to procrastinate my sleeves!

So, How's the Website Coming?

I'm hearing this question a lot, especially as I've taken some time off this summer to work on my website. My website exclusively, maybe some part-time work for my bank account's sake, but my website that I initially saw as a representation as my retail shop. For the most part, that has been the case, until I've walked into my storage unit (a 10 x 30, climate controlled space) and seen a box of kits . . . and some cases of fabric . . . and two huge boxes filled with stuff . . . and all those things that we grabbed and packed and marked with names like "top shelf in the cross stitch room."

Well, 3 years have passed, and many of those items are still in their boxes, and I kind of remember what was on the top shelf of the cross stitch room, but not completely. So what occurred to me while I was there last week was, why not re-pack? There's no great rush now, those office packing boxes have worked just fine, and one of them fits nicely into my car and next to my chair in my office, and if I had all of them labeled "Stitcher's Aides" and "Pillows and Band Fabric" and "Baby Items," it would make all the difference between being able to find the item a customer has ordered on-line, pack it neatly, and go onto the next project, than having to go through 4 different boxes to find which box item X lived and where it might be found. Quite the difference between a quick and pleasant packing experience and one that is quite frustrating.

So I did that - I dressed in T-shirt and shorts last Friday and spent a good 3 hours just making up those boxes (you know the ones I mean, the boxes that are all-in-one with the sides you fold up and pull the bottom up, and put all of your office's papers into) and pulling and packing and organizing. And you know what? It's worked. I can now take the box of baby things home, upload all of the baby things in that box onto the web, at one time, and take pictures of what I need while the box is in my possession. It makes the knowledge of "On the Web" so much cleaner both mentally and visually, and gives me the impetus to continue with this good work. And on the flip side, in a few months, when a baby item sells on the web, I know exactly which box to go into, pull the item, and pack it for my on-line customer.

Another thing that has made my uploading so much easier is the realization that I can add an item to my website, then make a corresponding list of what needs a picture, and taking a series of pictures all at once. Strangely enough, writing down an item that needs a picture and then taking a picture is such a huge time-saver, compared to sitting for huge amounts of time in front of the World Wide Web and trying to find one picture among thousands. This new way of doing things means that I upload everything in a box or folder all at once, then take all the pictures all at once, then work on the pictures, all at once.

So, that's where I am with my website - hope it's not too geeky for everyone out there!