Stitching AND finishing

Since the start of the year I have taken up some stitching again, some needlepoint pieces from my late mother's stash and one cute little cross stitch piece. For the needlepoint there have been some supply problems from one of the needlepoint yarn makers (like, they have not shipped anything for over 2 years due to the economic downturn), and as a result I was at a standstill for a while on my large Iris.

So while I waited for more yarn to come in, I also completed some socks:


. . . and the back of my Rayon Blue Heron sweater (with help from our new kitty who loves to chew the yarn in twain. But that's another posting . . . ):

Blue Heron Rayon sweater with bust shaping. I really, really
like the shaping on this pattern - it's slinky and is going to be just fabulous
for a spring or summer event. Starting again on a
smaller size is going to make all the difference.
And with that nice lace pattern, I think this means I get to treat
myself to a nice, lacy camisole??

Finally, about early March, some yarn finally arrived and I was able to finish my large Iris!! I was able to take it off its frame, too, and this is a good thing because I found yet another piece of my mother's that will fit perfectly on this frame. I had fun playing with choosing the colors, as she had received it as a gift with DMC embroidery thread as the yarn/thread for it, and she just couldn't figure it all out. She had started stitching the background with 1 strand of Persian yarn and it was really hard for her to see it. I got to play with new and pretty colors back in January, so this is going to be something all of my own when I finally start on it. Probably this summer.

In the meantime, I finished stitching the background of my large Iris which was the only thing missing:

I am so happy with how this piece turned out. With Persian yarn, I could combine strands from the old and from the new dye lots and the RH final corner looks seamless.

Now comes the blocking portion of it, which I'm not going to do until I decide how I want to frame it. Which, I admit, may be a while; I have a ton of needlework already to hang in our house, and this piece will block back into shape. I know - I've done it a hundred times with pieces much more cockeyed than this one.

The other stitching piece that I finished recently is my little bird. This was one of 3 birds of a series I bought when I learned that the Danish designer, Eva Rosenstand was going out of business. Her company later found a buyer, but they no longer weave their own linen nor dye their own threads. This latter, especially, is sad for me - her view of colors was unique in all the world and only her kits made prior to 2002 or so will have her original vision to them. Fortunately I have several of her kits, one of which involves the rich Dutch blues, that I will begin someday. It will match the one that I finished a number of years back.

ANYWAY. This little bird is the final in the series of 3 - the first was the Wren in the Furze (yes, there is a nursery rhyme that starts "The Wren, the wren, the king of all birds/St. Stephen's Day was caught in the furze"); the second was the little bluetit; and this one is a little brown bird in a Cherokee rosebush (or its Danish equivalent):

Here s/he is! Standing so proudly, and the leaves which are yellowish-green and colors I would not ordinarily use are really quite a complement to her brown-ness and the pink of the roses.

The beauty of this design is the simplicity of the color changes - the bottom petal on the top rose just looks like it is folded up a little bit. And what suggests this? The sudden color movement from mauve to pink with a single strand of light grey backstitching to delineate the edge of the petal from its back. The human eye does the rest. People asked me frequently "Surely you must design your own patterns?!" to which I only have to show this picture to explain that there are some of us who stitch and bring pictures to life, and some who can imagine and create. I am in awe.

I have also been making great strides with the other Iris picture, the one that looks more modern? Not cubist, but not as realistic as the large Iris by Lee Designs. It has no shading, but each of the petals and leaves is its own patch of color. Which makes the entire piece very striking. Strides of it are here:

Part of what gives this piece its beauty is the intensity of these blues and purples. I needed more of the dark green DMC needlepoint yarn, and it did not go as far as it needed to. The Rolaframe is a doozy to set up - it takes 2 people to mount a piece of needlepoint onto it, and many were the times my staff and I spent setting one up for a customer.

And one more thing: my infamous swan piece is finally done!!

Ongoing Projects

First, my intricately cabled sweater made from Blackwater Abbey Yarns using the pattern Brambleberry to make a nice, pretty, long-sleeved, warm sweater. I've knitted it for the past 3 Mountain trips, and I'd like to bring a new sweater along in February. Which means I need to finish it and sew the seams together (not necessarily an easy task, as the cables will need to match up, but it will be worth the work), and I'll probably sew the seams while listening to a book on tape to keep my mind focused.

In the meantime, I just have to say . . . I am so tired of these darn sleeves! I mean really! I'm at the point in the pattern, the sleeves, which seem to be the longest part of any project. They just keep going . . . and going . . . and going. And I'm bored with the pattern, and I just have to keep knitting and remembering to decrease on every even row, and I'm so bored!

To give you an idea, here's my previous blog picture of the sleeves from earlier this year:

Brambleberry Sleeves, about half-way finished

And as I said before, I'm knitting the sleeves at the same time so that all the increases are the same, decreases are the same, possible mistakes are the same . . . and that basically the sleeves match. All well and good. And it's not exactly mindless knitting, even though I'm only cabling on R2 since I've decided not to do the cable pattern underneath my arms because really, what would be the point? I know that the pattern has this lovely cable that floats along around the arm, but there's also a lot of bulk that way and this sweater is going to be bulky enough with the yarn being what it is. Plus there's the lack of being able to see the cables when wearing the sweater, and the yarn will be rubbing as I move my arms which will make the cables less pristine.

So, with a spring of knitting and knitting, and seemingly endless more knitting, and working on two socks for a knit-along on Ravelry, I've procrastinated these sleeves till now. They're almost done - I'm on the last decrease row before I bind off. And then my wish will be fulfilled: my sleeves will be done!!

Here they are as of last night (picture taken this morning):

One more row . . . that's all they need . . .

Which I think I can accomplish tonight while I catch up on Season 6 of "Lost" (I watched most of it but not all, and I was driving back from New Orleans during the final episode) tonight. And then there will be much rejoicing!! Hurrah!

Another piece that I'm working on is a companion to my completed Wren in the Furze and the Blue Tit, both Eva Rosenstand kits. I think I started this little bird last year, and it proved to be a great piece to bring while I was relaxing in Asheville a month ago. In fact, I stitched most of the green that is the setting for the wild rose that will be the floral portion of this design.

I haven't quite figured out what kind of bird this is. There's a lot of pink on it, but then again, it may be that the designer wanted to highlight the pink of the wild rose and so invented a bird with pink in it. If anyone knows northern European birds . . .

You know what I find interesting about this design is the amount of yellowish green that the foliage calls for. I'm not a huge fan of yellowish green - I can't wear the color, it makes me look like I'm about to become violently ill.
Regardless, it adds the shading to the foliage that a lighter green just won't capture quite as well. And you can tell the amount of the yellowish green from the colors of thread that come with the design. You can also see the several shades of pink that will become the wild rose. For this piece, I chose to stitch the bird first (cuz he's so much fun and I like to complete one motif before going on to the next), then I'll do some greenery, then finally on to the rose. Kind of brings order to the chaos.

It really was nice this summer to sit in a comfy chair, talk with friends and husband, and just sit and stitch during daylight hours (I somehow didn't need my reading glasses!). We were in the shade, I won't lie about that, but there was no pressure to finish anything, and I was able to listen to the conversation and stitch something just because it was beautiful.

OK, well, have to upload some pictures of some patterns that I forgot to upload when I entered these patterns onto my website last week. *sigh* At least that gives me time to procrastinate my sleeves!

A Project for Meeee!

At last, at last, at last, here it is: an opportunity to do some stitching, from my very own stash, for my very own self!! And stitching - not knitting, not sweaters or socks or gorgeous shawls, but good, ol' fashioned counted cross stitch. Want to know when was the last time I stitched something for me and not for Nease's Needlework? 2003.

That was the year that the knitting craze really took over, when my dear Gwen came to work for me, when I put aside all fancy scissors and small needles and gorgeous threads and I picked up knitting for real.

In early 2003, I stitched a beautiful Eva Rosenstand piece of a wren in the furze. You know the old English rhyme: The wren, the wren/The king of all birds/St. Stephen's Day/Got caught in the furze. It hearkens back to the custom of young boys on St. Stephen's Day chasing a wren across the land until the poor thing just died of exhaustion. Then these boys would bring the wren's body back to the village and received food and praise for their terrible deed. (I really wonder how many wrens really got away? Probably a lot more than got caught. I know that MY stitched wren got away!!).

So I don't have a picture of THAT wren, which I initialed and dated 2003, but I do have a picture of the companion piece I bought, back in about 2001, when the great and wonderful Eva Rosenstand company (from Copenhagen) was about to close its doors and end its absolutely lovely and colorful and nature-inspired designs. They never sold well in my shop; people either disliked the idea of kits ("I want to pick out my own threads or fabrics") or the kits themselves were just a little too old-fashioned for my hip, new, mod patrons. Remember how popular angels were for a while there? These angel stitchers were very talented, and perhaps these simple but beautiful kits of blues and yellows and oranges were just a little too simple for their tastes. Regardless, I still bought a bunch of small kits before they went out of production.

*side note* The Eva Rosenstand company did not in the end go away - they were bought by Permin of Copenhagen, a Danish subsidiary of Wichelt Imports, so their designs still exist. The threads now are DMC threads, and the linens are regular linen, not the soft and supple linen that was milled by the E.R. company nor the threads dyed by E.R. It's a color-snob thing, I know, but the more colors there are in this world, the more lovely a place it is for all of us *sigh*

Anyway, on to the pictures of my little blue-tit (I think that's the name of the bird!):

It's such a simple design, really. The yellows match the furze of the wren - I've always seen these as companion pieces. And look how big the graph is!! It's easy to read!! It's larger than the stitched piece on the linen. It has symbols that are logical in their set-up (meaning, black is a large big square, then the yellows are lighter symbols, etc.).





Aren't these colors just lovely? Don't they just make you want to pick them up and play with them and see this pretty design come to life on your fabric? There's just something about them that makes me lose all ability to put thoughts into words. But look how many threads of each color there are!! At least twice and a half as you'll ever need for such a small piece of a bird. And you separate the threads into bundles and you get to play with them even before you begin to stitch. Antici *say it!* pation!


Here's the oh-so-recognizable packaging for this little kit:


Remember that packaging from way back when?? I know, it's hard to keep the glare off of the plastic, but I just had to show the packaging anyway.

The other cool thing about having a kit like this in plastic is that you can take it to an outdoor festival. Which I did back in May over Memorial Day, and four of us sat in a corner of the outdoor shed and all of us stitched our projects. Webmaster Bill came by and said that we looked like the 4 Fates (I forget what he said the 4th one was - maybe a new Fate who foresees the future?). It was so much fun to be stitching with others, especially after so many years of knitting with others. It's a different feel - you hold the fabric in your hands, you bring the needle up and down, the design appears as if by magic on your linen, and there's always a brief pause in the conversation when the rhythm of your stitching reminds you that you need to pay attention.

Oh, and another note: I've begun wearing reading glasses when I stitch on linen. Guess I'm over 40 now and my eyes are catching up with me! I stole, uh, borrowed a pair of reading glasses from the storage unit. They're tacky, but they haven't sold so I figure I'll just break them in so that I can brag about what a great product they are. It's nice to be able to see the individual threads on the linen bigger than they really are, so that my eyes don't get as tired as easily and I make no mistakes when I wear them (I finally started making mistakes stitching over 2 threads while stitching on linen - yech!). Now I wear them, they're tacky, they remind me that I better start stitching quickly, and I can see well enough with them to stitch waaaay past my bedtime.


These are the glasses in their little Chinese puzzle box. Aren't they tacky? But they work, and it's just me and Webmaster Bill, and the cats, none of whom care that *sniff* I look like an old woman now!!

I had really, really forgotten how easily I lose myself when stitching a piece of counted cross stitch. Honestly. It's like having a whole afternoon to, say, update your blog, then you realize your butt hurts and your fingers ache, and lo and behold, you've been sitting in the same chair for an hour and a half. Stitching is like that for me. I spent one Saturday afternoon earlier this summer (July, was it?) just watching a couple of movies and stitching. Then I looked up and it was 5 hours later and I hadn't stitched as much as I thought I would, but time had ceased to exist for me. And if there was a weekend marathon on cable of the TV show "House"? Oh, then just forget about me going to sleep for a while!